Find album reviews, stream songs, credits and award information for Alessandro Scarlatti: Stabat Mater – Emma Kirkby, Daniel Taylor, Theatre of Early Music on. This new release from Hungaroton features two late compositions by Alessandro Scarlatti. The main work is the Stabat mater but it is prefaced by a Sonata in C. This is a recording of a relatively rare version: the Stabat Mater that the Cavalieri della Virgine dei Dolori commissioned in from the most famous opera.
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The intentions of the album are nowhere more clearly revealed than in the decision to replace the transverse flute with Francis Colpron ‘s recorder — usually it’s done the mtaer way around, but the quiet, conversational tone of the recorder and its ability to slide around the center of a consonance as needed fit what this ensemble is trying to do. The soloists, Maria Zadori and Paul Esswood, are well matched in the duets and provide effective contrast with each mager in the solo arias.
Many years later, probably inthe same Order commissioned Pergolesi for a new Stabat Mater.
Scarlatti Stabat mater; Flute Sonata Stabat mater. As the son of a musical and domineering father Alessandro Scarlattihe was destined for a career in music from his birth.
The main work is the Stabat mater but it is prefaced by a Sonata in C minor for flute and strings. Romantic Evening Sex All Alessandr. Soprano, alto and continuo 2 violins, cello, organ Length: Drinking Hanging Out In Love.
Domenico Scarlatti was born in Naples in the same year as Handel and J. Composition Artist Credits Stabat mater. Quando corpus morietur – Amen. Gramophone’s expert reviews easier than ever before. After this he managed the site by adding new composers and translations regularly.
This chamber-sized Scarlatti Stabat Mater might have worked very well amter a pairing with the more intimate Pergolesi work, but instead we get the Concerto XXI for flute, strings, and continuo, a little-known work. Contents 1 Performances 1.
A. Scarlatti Stabat mater; Flute Sonata |
You are more than welcome to use all or part of these notes in your programme. The Capella Savaria is an ensemble of period instruments which has not yet reached the degree of technical finesse achieved by our finest groups nearer home; but, by the sound of things, it will not be long in catching up! Sexy Trippy All Moods. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.
Release Date January 24, One might wish for a new recording of the Stabat Mater by Cecilia Bartolia Scarlatti interpreter who can combine detail and athleticism, but for now this very expressive performance is worth checking out. Skip to main content. This new release from Hungaroton features two late compositions by Alessandro Scarlatti.
The all-time greats Read about the artists who changed the world of classical music. The Order was very poor, what may be the explanation for the small number of artists the score was written for. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.
As well as these masterpieces, Scarlatti also produced a considerable quantity of operas, secular cantatas and church music. The Scarlatti work, more than Pergolesi ‘s, is full of quasi-operatic devices — pregnant pauses, dissonant “sighs,” and, in the final “Amen,” some heady vocal acrobatics. His notes on the composer, the music, the texts and translations and the different versions all came online.
Alessandro Scarlatti: Stabat Mater
He composed over cantatas, oratories and operas. In this performance everything is kept to a very quiet level, which may seem inappropriate to Scarlatti ‘s basically theatrical language. Gramophone products and those of specially selected partners from the world of music. He was one of the first exponents of the Neapolitan School See also Salvatori. My pressings were excellent and the enclosed documentation includes the Stabat mater text in five languages LP and four CD ; English is common to both.
The flautist, Pal Nemeth, gives a somewhat routine performance though to be fair, the same criticism might be levelled at Scarlatti; crisper articulation and tidier ensemble would have contributed toward making out a stronger case for the piece but, nevertheless, it mkaes an interesting prelude to the Statbat mater which also begins and concludes in C minor.